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GOLDEN VIDEO LIBRARY

GOLDEN VIDEO LIBRARY

Scroll down to see the available videos.
 
ALL VIDEOS
OPEN
VARNISH APPLICATION
 

All Videos

New Golden High Flow Acrylic Colors
NEW GOLDEN HIGH FLOW ACRYLIC COLORS
This ultra-low viscosity acrylic paint acts like an ink when wet, but dries like regular acrylic paint.
OPEN Slow-Drying Acrylics (re)Introduction
OPEN SLOW-DRYING ACRYLICS (RE)INTRODUCTION
GOLDEN OPEN Acrylics are slow-drying colors that do what no other acrylic paints can. They can be used for a wide range of techniques including traditional techniques usually associated with oil colors. This quick demonstration will highlight the unique qualities of OPEN Acrylics and tips for using it successfully in your artwork.
Create surfaces for drawing using GOLDEN Acrylic Ground for Pastels - featuring Steve Nyland
CREATE SURFACES FOR DRAWING USING GOLDEN ACRYLIC GROUND FOR PASTELS - FEATURING STEVE NYLAND
Acrylic Ground for Pastels is easy to use, yet it opens up a range of creative possibilities for artists who draw to go beyond paper. Like most GOLDEN acrylic gels, pastes, colors and mediums, it can be applied to anything acrylic will adhere to (which is most things), like walls, furniture, unglazed ceramic, plaster, natural and synthetic panels, and even paper. And for an artist like Steve, everything is a potential "canvas".
Molding Paste for Drawing or Painting
MOLDING PASTE FOR DRAWING OR PAINTING
Molding Paste is an economical way to extend acrylic paint and build texture, but it also gives artists control over surface texture. It can be used to smooth the weave on rough canvas, fill the grain on wood, or create an impasto texture on smooth board. Molding Paste has a smooth absorbent surface quality that is an excellent foundation for pen and ink, markers, pencil. watercolors, oils and acrylics.
Micaceous Iron Oxide for Drawing or Painting
MICACEOUS IRON OXIDE FOR DRAWING OR PAINTING
From the metallic color palette of GOLDEN Heavy Body and Fluid Acrylic colors, Micaceous Iron Oxide is a warm, nearly black color that dries with a texture and sparkle similar to fine grit sandpaper. Great as a metallic color, it also makes an excellent surface for drawing with pencil, pastel and conté crayon.
Monoprinting with GOLDEN OPEN Acrylics featuring Patti Brady
MONOPRINTING WITH GOLDEN OPEN ACRYLICS FEATURING PATTI BRADY
Monoprinting with GOLDEN OPEN Acrylics covers the basics of using GOLDEN slow drying OPEN Acrylic to create simple prints without the need for expensive presses, inks or mineral spirit clean-up.
GOLDEN Airbrush Arcylics
GOLDEN AIRBRUSH ARCYLICS
Overview on the versatility of GOLDEN Airbrush Colors and how you might find uses for them in your art.
Color Overview: Four Golden Formulations
COLOR OVERVIEW: FOUR GOLDEN FORMULATIONS
Explore the rich, vibrant colors offered in Golden's four paint fomulas. We'll run through each to show what makes them unique and how they can be used in your art.
Molding Pastes featuring Patti Brady
MOLDING PASTES FEATURING PATTI BRADY
Pastes video featuring Patti Brady. Discusses the attributes of the GOLDEN Pastes and what differentiates them from one another.
Introduction to OPEN Acrylics
INTRODUCTION TO OPEN ACRYLICS
Patti Brady demonstrates the advantages of OPEN slow-drying acrylics.
Subtractive Technique using OPEN
SUBTRACTIVE TECHNIQUE USING OPEN
Patti Brady demonstrates ways to use OPEN Acrylics for subtractive painting techniques.
MSA Varnish Removal
MSA VARNISH REMOVAL
Demonstration of the recommended technique for removal of MSA varnish from an acrylic painting with a smooth surface.
MSA Varnish Brush Application
MSA VARNISH BRUSH APPLICATION
Our recommendation for the brush application of MSA Varnish to acrylic paintings with relatively smooth surfaces.
Exploring Fiber Paste with Melanie Matthews
EXPLORING FIBER PASTE WITH MELANIE MATTHEWS
Fiber Paste is a unique acrylic medium, Working Artist Melanie Matthews demonstrates its working properties and takes you through some popular applications.
Immediate Image Transfer with Melanie Matthews
IMMEDIATE IMAGE TRANSFER WITH MELANIE MATTHEWS
Melanie Matthews shows how to transfer images or any other printout to artwork in just minutes using Fluid Matte Medium.
Encaustic Effect with GOLDEN Acrylics
ENCAUSTIC EFFECT WITH GOLDEN ACRYLICS
Explore and work with GOLDEN gels and paints to create encaustic effects.
Surfaces with Patti Brady
SURFACES WITH PATTI BRADY
Patti Brady shows how to create unique absorbent and glossy surfaces incorporating color using GOLDEN gels and different viscosity paints.
Layering with Patti Brady
LAYERING WITH PATTI BRADY
Patti Brady shows how to create layers of texture and color with some of Golden's gels, pastes and different viscosity paints.
GOLDEN Gel Mediums featuring Patti Brady
GOLDEN GEL MEDIUMS FEATURING PATTI BRADY
Gel Mediums video featuring Patti Brady. Discusses the attributes of the translucent gel mediums and what differentiates them from one another.
GOLDEN Pumice Gels
GOLDEN PUMICE GELS
Introduction to Golden Pumice Gels.
Fabric Painting and GAC 900
FABRIC PAINTING AND GAC 900
Shows the use of GOLDEN GAC 900 for fabric painting.
Collage: GOLDEN Acrylic Gels and Mediums as Adhesives
COLLAGE: GOLDEN ACRYLIC GELS AND MEDIUMS AS ADHESIVES
How to use Golden Acrylic Gels and Mediums as an adhesive for paper in collage work.
Glazing with GOLDEN Acrylic Colors
GLAZING WITH GOLDEN ACRYLIC COLORS
How to make and use glazes with GOLDEN Acrylic Colors and Mediums.
Adhering Watercolor Paper to Panel Using GOLDEN Soft Gel
ADHERING WATERCOLOR PAPER TO PANEL USING GOLDEN SOFT GEL
How to permanently adhere watercolor and other papers to panel before or after painting, using GOLDEN Soft Gel.
Hard Edge Techniques with GOLDEN products
HARD EDGE TECHNIQUES WITH GOLDEN PRODUCTS
Techniques to achieve hard edges with Golden Acrylics and Mediums.
Crackle Paste
CRACKLE PASTE
Exploration of GOLDEN's Crackle Paste properties and uses.
Create and Print on Acrylic Skins with GOLDEN Acrylics and Digital Grounds
CREATE AND PRINT ON ACRYLIC SKINS WITH GOLDEN ACRYLICS AND DIGITAL GROUNDS
How to prepare acrylic skins created with GOLDEN Fluid Acrylics for inkjet printing using GOLDEN Digital Grounds.
Printing on Specialty Papers with Golden Digital Ground
PRINTING ON SPECIALTY PAPERS WITH GOLDEN DIGITAL GROUND
How to use GOLDEN Digital Grounds to prepare specialty papers for inkjet printing. Video one of two.
Thinning MSA Varnish (Part 1) -- Properly Thinning MSA Varnish to a 3:1 Mix
THINNING MSA VARNISH (PART 1) -- PROPERLY THINNING MSA VARNISH TO A 3:1 MIX
Shows the proper procedure for thinning MSA Varnish.
Clear Tar Gel
CLEAR TAR GEL
Demonstrates the properties and uses of GOLDEN Tar Gel.
Thinning MSA Varnish (Part 2) -- Testing for Solvent Compatibility
THINNING MSA VARNISH (PART 2) -- TESTING FOR SOLVENT COMPATIBILITY
How to test for solvent compatibility when thinning MSA Varnishes.
Creating Smooth Surfaces With Molding Paste
CREATING SMOOTH SURFACES WITH MOLDING PASTE
How Molding Paste can be used to create a smooth painting surface
Silverpoint / Drawing Ground
SILVERPOINT / DRAWING GROUND
Shows the properties and uses of GOLDEN Silverpoint/Drawing Ground.
Shake Your Can -- GOLDEN Archival Varnishes
SHAKE YOUR CAN -- GOLDEN ARCHIVAL VARNISHES
The wonderful ways to shake a can of Archival Varnish. So grab a can and shake along with Mike!
Something To Watch While You Shake
SOMETHING TO WATCH WHILE YOU SHAKE
A two minute video you can watch while shaking a can of Archival Varnish.
Proper Spray Application of GOLDEN Archival MSA Varnish
PROPER SPRAY APPLICATION OF GOLDEN ARCHIVAL MSA VARNISH
Demonstrates the proper technique for application of Golden's Archival Varnish.
OPEN vs. Heavy Body Acrylics -- 4 Days on Palette
OPEN VS. HEAVY BODY ACRYLICS -- 4 DAYS ON PALETTE
Shows how many days OPEN Acrylics can stay wet on a palette as well as how to use OPEN Thinner or OPEN Medium to return thickened paint to a smooth, blendable consistency.
OPEN Acrylics: Palette Time Tests
OPEN ACRYLICS: PALETTE TIME TESTS
Demonstrates how dollops of OPEN Acrylics can stay workable on a palette for more than one week at 70 degree Fahrenheit and 38% Relative Humidity (RH).
Sealed vs. Unsealed Surfaces with OPEN Acrylics
SEALED VS. UNSEALED SURFACES WITH OPEN ACRYLICS
Shows the difference in working time when using OPEN Acrylics on a sealed vs unsealed surface, such as watercolor paper.
Creating a
CREATING A "DRY MONOTYPE"
A new and exciting way to create a monotype, or monoprint, using a variation of standard acrylic gel skins.
Creating Brushable Isolation Coat
CREATING BRUSHABLE ISOLATION COAT
The application of a basic, brush isolation coat.
Thinning MSA Varnish (Part 3) -- Emergency Correcting Failed Mixtures
THINNING MSA VARNISH (PART 3) -- EMERGENCY CORRECTING FAILED MIXTURES
How to correct a batch of MSA Varnish that has accidentally been thinned with an incompatible solvent.
OPEN Acrylic Monotypes
OPEN ACRYLIC MONOTYPES
How to create a monotype, or monoprint, using Golden's OPEN Acrylics.
Brush Application of an Isolation Coat
BRUSH APPLICATION OF AN ISOLATION COAT
Proper brush application of an isolation coat.
Thinning Fluid Acrylics for Spraying
THINNING FLUID ACRYLICS FOR SPRAYING
The proper method for thinning Fluid Acrylics for airbrush and spray applications.
Thinning Heavy Body Acrylics for Spraying
THINNING HEAVY BODY ACRYLICS FOR SPRAYING
The proper way to thin Heavy Body Acrylics for airbrush and spray applications.
© Golden Artist Colors, Inc.