Golden Artist Colors, Inc.
Employee Owned
purchase
contact
product announcements
upcoming workshops
just paint newsletter
Tint & Glaze Poster
the GOLDEN facebook page
the GOLDEN YouTube page
 history
 mark's blog
 press releases
 social responsibility
 marketplace
 colors
 mediums/additives
 gessos/grounds
 varnishes
 custom products
 proceed® system
 environment
 health & safety
 technical info
 conservation
 just paint newsletter
 tech hotline
 custom lab
 about the program
 working artists
 workshops
 program contact
 video library
 youtube channel
 mix more media
 fine art technique
 decorative technique
 facebook page
 museums
 conservation
 industry publications
 the golden gallery
 company  products  research/support  working artist  application  arts community
GOLDEN VIDEO LIBRARY

GOLDEN VIDEO LIBRARY

Scroll down to see the available videos.
 
ALL VIDEOS
OPEN
VARNISH APPLICATION
 

All Videos

Thinning Heavy Body Acrylics for Spraying
THINNING HEAVY BODY ACRYLICS FOR SPRAYING
The proper way to thin Heavy Body Acrylics for airbrush and spray applications.
Thinning Fluid Acrylics for Spraying
THINNING FLUID ACRYLICS FOR SPRAYING
The proper method for thinning Fluid Acrylics for airbrush and spray applications.
Brush Application of an Isolation Coat
BRUSH APPLICATION OF AN ISOLATION COAT
Proper brush application of an isolation coat.
OPEN Acrylic Monotypes
OPEN ACRYLIC MONOTYPES
How to create a monotype, or monoprint, using Golden's OPEN Acrylics.
Thinning MSA Varnish (Part 3) -- Emergency Correcting Failed Mixtures
THINNING MSA VARNISH (PART 3) -- EMERGENCY CORRECTING FAILED MIXTURES
How to correct a batch of MSA Varnish that has accidentally been thinned with an incompatible solvent.
Creating Brushable Isolation Coat
CREATING BRUSHABLE ISOLATION COAT
The application of a basic, brush isolation coat.
Creating a
CREATING A "DRY MONOTYPE"
A new and exciting way to create a monotype, or monoprint, using a variation of standard acrylic gel skins.
Working Time -- Sealed vs. Unsealed Surfaces with OPEN Acrylics
WORKING TIME -- SEALED VS. UNSEALED SURFACES WITH OPEN ACRYLICS
Shows the difference in working time when using OPEN Acrylics on a sealed vs unsealed surface, such as watercolor paper.
OPEN Acrylics on Palette Tested At Many Different Times
OPEN ACRYLICS ON PALETTE TESTED AT MANY DIFFERENT TIMES
Demonstrates how dollops of OPEN Acrylics can stay workable on a palette for more than one week at 70 degree Fahrenheit and 38% Relative Humidity (RH).
OPEN vs. Heavy Body Acrylics -- 4 Days on Palette
OPEN VS. HEAVY BODY ACRYLICS -- 4 DAYS ON PALETTE
Shows how many days OPEN Acrylics can stay wet on a palette as well as how to use OPEN Thinner or OPEN Medium to return thickened paint to a smooth, blendable consistency.
Proper Spray Application of GOLDEN Archival MSA Varnish
PROPER SPRAY APPLICATION OF GOLDEN ARCHIVAL MSA VARNISH
Demonstrates the proper technique for application of Golden's Archival Varnish.
Something To Watch While You Shake
SOMETHING TO WATCH WHILE YOU SHAKE
A two minute video you can watch while shaking a can of Archival Varnish.
Shake Your Can -- GOLDEN Archival Varnishes
SHAKE YOUR CAN -- GOLDEN ARCHIVAL VARNISHES
The wonderful ways to shake a can of Archival Varnish. So grab a can and shake along with Mike!
Silverpoint / Drawing Ground
SILVERPOINT / DRAWING GROUND
Shows the properties and uses of GOLDEN Silverpoint/Drawing Ground.
Creating a Smooth Surface Using Molding Paste
CREATING A SMOOTH SURFACE USING MOLDING PASTE
How Molding Paste can be used to create a smooth painting surface
Thinning MSA Varnish (Part 2) -- Testing for Solvent Compatibility
THINNING MSA VARNISH (PART 2) -- TESTING FOR SOLVENT COMPATIBILITY
How to test for solvent compatibility when thinning MSA Varnishes.
Clear Tar Gel
CLEAR TAR GEL
Demonstrates the properties and uses of GOLDEN Tar Gel.
Thinning MSA Varnish (Part 1) -- Properly Thinning MSA Varnish to a 3:1 Mix
THINNING MSA VARNISH (PART 1) -- PROPERLY THINNING MSA VARNISH TO A 3:1 MIX
Shows the proper procedure for thinning MSA Varnish.
Printing on Specialty Papers with Golden Digital Ground
PRINTING ON SPECIALTY PAPERS WITH GOLDEN DIGITAL GROUND
How to use GOLDEN Digital Grounds to prepare specialty papers for inkjet printing. Video one of two.
Creating and Printing on Acrylic Skins with GOLDEN Acrylics and Digital Grounds
CREATING AND PRINTING ON ACRYLIC SKINS WITH GOLDEN ACRYLICS AND DIGITAL GROUNDS
How to prepare acrylic skins created with GOLDEN Fluid Acrylics for inkjet printing using GOLDEN Digital Grounds.
Crackle Paste
CRACKLE PASTE
Ways to explore and work with GOLDEN's Crackle Paste.
Hard Edge Techniques with GOLDEN products
HARD EDGE TECHNIQUES WITH GOLDEN PRODUCTS
Techniques to achieve hard edges with Golden Acrylics and Mediums.
Adhering Watercolor Paper to Panel Using GOLDEN Soft Gel
ADHERING WATERCOLOR PAPER TO PANEL USING GOLDEN SOFT GEL
How to permanently adhere watercolor and other papers to panel before or after painting, using GOLDEN Soft Gel.
Glazing with GOLDEN Acrylic Colors
GLAZING WITH GOLDEN ACRYLIC COLORS
How to make and use glazes with GOLDEN Acrylic Colors and Mediums.
Collage: Using GOLDEN Acrylic Gels and Mediums as Adhesives
COLLAGE: USING GOLDEN ACRYLIC GELS AND MEDIUMS AS ADHESIVES
How to use Golden Acrylic Gels and Mediums as an adhesive for paper in collage work.
Fabric Painting and GAC 900
FABRIC PAINTING AND GAC 900
Shows the use of GOLDEN GAC 900 for fabric painting.
GOLDEN Pumice Gels
GOLDEN PUMICE GELS
Explore the working properties of GOLDEN's Pumice Gels.
© Golden Artist Colors, Inc.